The Metamorphosis, Franz Kafka
âWhen Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.â
With this startling, bizarre, yet surprisingly funny first sentence, Franz Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetle-like insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowingâthough absurdly comicâmeditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction.
This Modern Library edition collects Stanley Corngoldâs acclaimed English translationâlong hailed as the gold standard by scholars and general readers alikeâalong with seven critical essays by writers including Philip Roth, W. H. Auden, and Walter Benjamin, background and contextual material, and a new Introduction from Corngold himself.
This book is paperback.
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âKafkaâs survey of the insectile situation of young Jews in inner Bohemia can hardly be improved upon: âWith their posterior legs they were still glued to their fatherâs Jewishness and with their wavering anterior legs they found no new ground.â There is a sense in which Kafkaâs Jewish question (âWhat have I in common with Jews?â) has become everybodyâs question, Jewish alienation the template for all our doubts. What is Muslimness? What is femaleness? What is Polishness? These days we all find our anterior legs flailing before us. Weâre all insects, all Ungeziefer, now.ââZadie Smith
âKafka engaged in no technical experiments whatsoever; without in any way changing the German language, he stripped it of its involved constructions until it became clear and simple, like everyday speech purified of slang and negligence. The common experience of Kafkaâs readers is one of general and vague fascination, even in stories they fail to understand, a precise recollection of strange and seemingly absurd images and descriptionsâuntil one day the hidden meaning reveals itself to them with the sudden evidence of a truth simple and incontestable."âHannah Arendt
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Description
âWhen Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.â
With this startling, bizarre, yet surprisingly funny first sentence, Franz Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetle-like insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowingâthough absurdly comicâmeditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction.
This Modern Library edition collects Stanley Corngoldâs acclaimed English translationâlong hailed as the gold standard by scholars and general readers alikeâalong with seven critical essays by writers including Philip Roth, W. H. Auden, and Walter Benjamin, background and contextual material, and a new Introduction from Corngold himself.
This book is paperback.
---
âKafkaâs survey of the insectile situation of young Jews in inner Bohemia can hardly be improved upon: âWith their posterior legs they were still glued to their fatherâs Jewishness and with their wavering anterior legs they found no new ground.â There is a sense in which Kafkaâs Jewish question (âWhat have I in common with Jews?â) has become everybodyâs question, Jewish alienation the template for all our doubts. What is Muslimness? What is femaleness? What is Polishness? These days we all find our anterior legs flailing before us. Weâre all insects, all Ungeziefer, now.ââZadie Smith
âKafka engaged in no technical experiments whatsoever; without in any way changing the German language, he stripped it of its involved constructions until it became clear and simple, like everyday speech purified of slang and negligence. The common experience of Kafkaâs readers is one of general and vague fascination, even in stories they fail to understand, a precise recollection of strange and seemingly absurd images and descriptionsâuntil one day the hidden meaning reveals itself to them with the sudden evidence of a truth simple and incontestable."âHannah Arendt
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